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Jack Lawson's work revolves around real people and the stories they have to tell. This series is of Wisdom, a blind footballer that he met whilst shooting in Ghana. Shot on the pitch, lit by the floodlights. 

Obsessed by Money Heist? Nick Dolding is and was delighted to be asked to shoot this collaboration between Talk Talk and Netflix. Thanks to Faye & Emlly & Sarah & Ellie & Emma & Fiona and &.

Directed by our Louis-Jack, at long last you can see his beautiful (and acclaimed) short film, Petrichor. Click through for links to film.  Other motion work HERE

Happy New Year! For those of you partaking in Veganuary this year, here's some inspiration from Karen Thomas.

We love this new series from our short-form content specialists - Short & Sweet. See more stop-motion magic here. 

It was a thrill to work with one of our favourite companies, Lego on their very major campaign "Rebuild the World".  With photos supplied by Lego, we re-lit, created and added the CG elements

New work from Ilka & Franz. Shot to illustrate an article entitled 'Everyone’s gagging for it’ – how Britain got high on nitrous oxide' for the Guardian Magazine. 

We love nothing more than a squidgy sponge cake! New from Karen Thomas. See more of here moving image work over on Horton's Short'Uns. 

Motion shoots alongside stills often see both departments competing with each other for limited resources; locations, talent, light, props and of course time. It’s easy to assume that the result will be compromised but that doesn’t have to be the case. As you’ll see, we’ve worked with the challenges it presents many, many times and we know all the pitfalls; shooting motion for TVCs ourselves we understand exactly how stills and motion need to get along.

Hoping to prove a point, we thought we’d collect together stills that we’ve shot during a motion production. All the images on this link were shot within the limitations that this way of working can impose, by four of our photographers particularly adept at this special way of working.  https://horton-stephens.com/hsalongsidemotion.pdf 

A lovely new series for Ford.

Another shoot by Gary working alongside colleagues shooting the TVC.  As always, time at an absolute premium and lots of pressure to get the best results. Luckily we're used to this!

We’ve been conscious of our carbon foot print on photo-shoots for a long time now. Less disposables on shoot, less print-outs, veggie menus, encouraging green transport to work and so on, but when we sent our portfolios to clients we were still using couriers on four wheels. Well, now we’re greener, faster, fitter. And feeling smug that deliveries into central London are courtesy of our electric bicycle. A big shout goes out to the wonderful Bikes for Business and MPSmarterTravel scheme who encouraged us to do so.